http://www.christianzahr.com/work-forte daily 1.0 2022-07-23 https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1465294878037-FUSS77LUR5KQKNL0YVJS/christian+zahr+2+windows+in+a+cherry+orchard+11.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1510590955025-1PQI02I4C5C8Q36DM5F1/IMG_1661+christian+zahr-+paysage+miniature+1.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1510521267131-SODQK2OJCBG9U37UN7H4/IMG_7424.JPG Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1510663814032-HOX2RK3KPKUQNTGGG821/vue+de+l%27exterieure+A3.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1540229545153-7XOHURG58QPM0KPGAU5V/planche+website+media+2.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1540309102082-U9SG13Z9HBLZ0NXTDCPU/christtian+zahr+landscaping.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1544456564852-1H75YQBYCQJ5X9HJ9C4D/1-christian+zahr-architecture-odyssey+s160-tower-damascus-syria-reconstruction-war-marota+city-%D9%85%D8%A7%D8%B1%D9%88%D8%AA%D8%A7+%D8%B3%D9%8A%D8%AA%D9%8A-+%D8%AF%D9%85%D8%B4%D9%82.jpg Projects - 1-Odyssey S160 Tower The Beirut-based Christian Zahr Studio was commissioned to design a 25-storey building for a new neighborhood being developed in Damascus. Although the Syrian capital was spared during the war, big construction projects are being planned there as part of the nationwide reconstruction efforts. This new neighborhood, dedicated to residential and office high-rise buildings, has already started to take shape in the oldest continuously-inhabited city in the world. With the belief that contemporary architecture helps to modernize people’s mentality and way of life, architect Christian Zahr created a modern landmark that stands out from the city’s traditional constructions: an all-white edifice that will shine a light of optimism over a capital battered by years of war… Carving with Cylinders From its parallelogram footprint, the volume rises to the sky with rectangular slabs stacked on top of each other. Then hollow cylinders vertically cut through the entire mass to create wavy silhouettes and semi-circular coves in a breathtaking showcase of neatness and grace. While cutting the slabs, the volumes and the mass, they create separations, leave empty volumes, create spaces, and open windows... This ‘coring’ technique has been the main focus of Zahr in the last few years, with the Lebanese architect experimenting with it on smaller scales. Applied on a larger scale, it’s what gave this tower its unique identity – a subtraction formula where the negative is as important as the positive – a modern-day sculpture where carving unveils an underlying robust skeleton, like a ruin of an old building. Situation and Double Language The residential building will be situated at the corner of a commercial street. Apartments are divided into a luminous living area overlooking the streets and a more discrete sleeping area on the inside. This asymmetry gives the tower the appearance of a double-faced volume, with a light, wide-open corner and a masssive, more closed back facades. Both faces are connected with the thin slabs. Conceived to resemble a modern-day ruin, this rugged – and almost naked – structure brings to mind all those unfinished buildings abandoned before completion that are typical to this region. Some might even see in it a reflection of Syria’s war-ravaged buildings that were left half-standing and half reduced to slabs stacked by the destruction. This method of architectural expression is a dialectic that Zahr uses to explore the contrast between the finished and the unfinished, the empty and the full, the light and the heavy, the real and the imagined… The tower offers simplex and duplex apartments ranging from 150 sqm to 400 sqm in surface area, with terraces ranging from 30sqm to 60sqm. The ground floor will host a number of shops directly accessible from the main street. The rooftop will feature a swimming pool with its amenities, and will be topped with a final slab, ending the tower with glass and steel cylinders like contemporary sculptures. Front Facades In the front, the slabs extend the indoor space into big terraces, adding around 40 percent of additional floor space to each reception area and providing shaded spaces for outdoor living. Vegetation on the terraces will ensure more shading and privacy for interior living. In the reception areas, the border between indoor and outdoor is transparent, with glass semi-circles pushing the exterior into the interior. This alcove, which imitates the ‘Liwan’ typically found in old Damascene houses, will serve as the main outdoor sitting area, ensuring comfort and privacy. Placing plants in this space will also transform it into a sort of a winter garden inside the living area, equivalent to the traditional Damascene courtyards. Circles and arches give a new perception of volume and space, making indoor and outdoor areas looks wider and more fluid. The semi-circle here is a clear shift away from the traditional angular square interior space. Curves cut the slabs into private terraces for each apartment. They insure a sense of distance, with the help of planters; they prevent neighbors on the same floor from seeing into each other’s apartment. While stacked they create a hollow circular volume.On the streets corner and seen from a distance the building looks transparent, closer it becomes more abstract, and finds its materiality. Back Facades In his quest for timeless architecture, and a "romantic Brutalism", Zahr found inspiration in classical and vernacular architecture when designing the back facade. Seen from behind, the tower looks like iconic structures as Iran’s pigeon towers or Italy’s leaning tower of Pisa. To the trained eye, the back facade will invoke visions of 60s brutalist architecture and retro futurism… The cylinder-carving effect is visible here too, and although there’s an imposing concrete overtone, the facade still looks light and fluid thanks to the elegant curves that go in all directions, a language that glorifies the technical and expressive potential of concrete. https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1549566618597-VS4FRSDKWY3SWONVC8C8/christian+zahr-+landscaping-+roof+top-+nawfal-+achrafieh-+beirut+2.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1591650751560-JE52LE3EXA87L1SDZ37D/Core+1-Vase-+Christian+Zahr+rev.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1591996790655-UMNURWRC6TCI4MIN550E/IMG_7363.JPG Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1591615294847-XHYWW0Z8OM7WOGIJCD4H/1-offices+courtyard+1+3000.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1591797937391-K6EZRPJ2JEH5WZGYXAWM/IMG_8056+C.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1619195356740-Q3L67M1NSM1D6YB9DAHY/0S6A8358_036+rev.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1619195693581-68WJUNG99EZB2B01ZK0W/12a.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1656511045585-4P3U1ZNOJ0UOSMM9DDEB/VAR_3209+panoramique+insta.jpg Projects The site of Deir El Kalaa witnessed the last chapter of the Lebanese civil war. During this period, to safeguard valuable historical objects in the National Museum, concrete blocks were used to create protective boxes and concrete was poured on mosaics to preserve vital pieces of the country’s past. Zahr’s four “envelopes” - using bricks or concrete - have been crafted for the structures of Deir El Kalaa; a box for a specific stone feature, a home for a ruin. This encapsulation creates an intriguing dialogue between content and container – between a chipped stone and its box. The meticulous handiwork of the stonemason generates new forms, bridging the passage of time between the creation of the original feature and the creation of its modernday envelope. In a collaboration between the craftsman and the artist, the work fluctuates between the ancient and the new. It prompts us to question our relationship to our heritage and its conservation, breaking down the barrier between artefacts and art. https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1656625353730-SLGOURJMZF5JZG636BS3/166.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1656626062027-J4UPXHTEH63ITROOC30N/AAPS_1+rev21.jpg Projects Project: Ashkal Alwan exhibition space Client: Ashkal Alwan Architect: Christian Zahr Ashkal Alwan, The Lebanese Association for Plastic Arts is a non-profit organization based in Beirut, Lebanon. Since 1993, the association has been committed to contemporary artistic practice, research, and modes of study. The association aims to facilitate artistic production, foster critical thinking around contemporary social realities, and engage in community mobilization. Challenging the economic collapse and the outflow of Lebanese artists to countries abroad, they decided to open an exhibition space in order to help local artists, hoping to create a new dynamic for the Lebanese and regional contemporary art scene. The chosen space situated in the middle of an already gentrified neighborhood of Beirut, Mar Michael, in an old building from the 1940s, had already been used as 2 restaurants and a concert venue across the last 10 years, and was heavily affected by the Beirut explosions in 2020, being 500 m away from the epicenter. The decision to relocate in this lively neighborhood was to brake the exclusivity of the art world and bring it closer to the street. And to revive the neighborhood with cultural programs beside bars and restaurants. Zahr discussed with Christine Tohmé head of Ashkal Alwan and many artists, gallerists and art practitioners to end up with a minimal intervention on the space, making it adaptable to the needs of the artist and highlighting the works of art instead of the space. Seeking to introduce possibilities, and a flexibility to adapt the space to different exhibitions where the relation to the outside street and alley, the natural light and the space can all change with each exhibition, the 120 sqm space becomes performative too. Taking advantage of the high ceiling and the 2 existing raws of windows, on the street level and the upper level, Zahr inserted a series of sliding panels. When the panels are up, the interior space of the gallery expands out to the alley. When the panels are down they offer extra walls for suspensions or projections. The work started by cleaning the damage from the explosions and removing 3 skins from the previous venues that occupied this space, bringing back the original skeleton. The previous restaurant decor remains only in the toilets. The Ashkal Alwan exhibition space was executed with a minimum budget, taking into consideration the economic and financial situation in Lebanon, in order to offer a sustainable cultural space in a country always in turmoil. Visuals: Dimitri Laffe. https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1656662808099-ZIYAUFUL94ZQXJO8OCIX/IMG_7479+rev.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1451565501402-ABV2E08DOE0STTT6X4XI/image-asset.gif Projects Daccache Garden-Mtayleb- Lebanon in collaboration with Sara Hage Landscape Architect.   https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1457976467047-Q0AV43K5Y9A9YCQIAIAB/christian-zahr-dalieh-raouche-beirut-waterfront-1.gif Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1458073490457-4WB6P1302Z8OMY7N8DFM/christian-zahr-villa-gharghour-0.gif Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1458074824276-DSNQXHD16RMU9S9V2FMZ/christian-zahr-MK3D-Vendome-0.gif Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1458075017417-AXTT47L5W1GE4EERTAMS/christian-zahr-maribor-UGM-0.gif Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1458075184248-4AK6NAK85WGUSE8QFJ2H/christian-zahr-Soap-Shop-Beirut-0.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1458075443140-PMUOC99SXJXX8B1HYQ9B/christian-zahr-Akhdar-bel-+khat-el-a7mar-0.jpg Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1458076308070-BHZJH8XFO99A7ANT0OAJ/christian-zahr-Archeological-Park-Jezzine-000.gif Projects https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1462277976926-QQ51R86KGGJYIE9HV5QY/christian-zahr-lighthouses-landscape+hotel-syracuse-italy-0.jpg Projects http://www.christianzahr.com/adress-1 daily 0.75 2015-06-22 http://www.christianzahr.com/about-forte daily 0.75 2015-06-22 https://images.squarespace-cdn.com/content/v1/5566f356e4b07e6ecb9204d1/1434982895381-1UOPVVDV72LPHB0DO2VV/image-asset.jpeg About Photo by Tony Allieh